15th century kirtle no. II

I have had a bit of a slump going on with my medieval reenactment. The excitement of making new things and do research slowly faded to almost nothing some two years ago, and over the course of the last couple of years I’ve only made two new pieces of clothing. One hood for 14th century reenactment and my red 15th century kirtle for Glimmingehus. Other than that, my main crafting focus has been on knitting and my folk costume – both are areas that I hae been giving lots of love and attention.

Thus, the year of 2020 was very welcomed by me in terms of not going to any events, or to feel the pressure to produce things for my 14th century personas. To be honest, the whole year of being at home was rather relieving for me in many ways. Of course I would have rather it to be a normal year without a pandemic, without all the hardships that has followed in its footsteps, but to make the most out of the situation I felt like I really needed that break.

So, the result was that I was going into 2021 with a little bit more energy than before. Early in the year I was invited to join the local version of Company of Saint George’s event Pilgrimage 2021. A distanced 15th century pilgrimage taking place at the same time all over Europe (the world?). It felt like the perfect event. Hiking along the pilgrim trail in Kinnekulle, Sweden, together with some friends. I even felt like I had everything I needed, save for a pilgrim’s staff, which I was able to order early on, so – no extra pressure there. There is something very soothing in knowing that you are prepared, and can focus on only having a good time. I felt very good in the whole situation, with no stress at all.

Then, just shy of a month before the event I got that feeling again. That longing to produce something. To craft something new. I felt that I needed a simpler kirtle to go with my pilgrim’s outfit, as well as I kind of needed it for my kitchen worker impression at Glimmingehus. I scowered my fabric boxes for a suitable fabric and found three meters of a thin woolen twill in dark forest green. Maybe not the most suitable colour in terms of my goals of keeping it simpler, as I think the dye truly would have required overdying a yellow with woad/indigo, but it might pass as a grey fabric being dyed with birch leaves and iron to darken the colour to this green. I am no expert in plant dyes, so you tell me. What do you think?

My goal was to have a wearable, but perhaps not finished dress, by the time of the event. That is, a dress with maybe not all seams felled, that needed to be closed with pins rather than lacing. I could use the same pattern as for my red kirtle, which made things super easy. I did some changes to the sleeves in order to make it more of a working garment, which includes changing the sleeve head to have a little less of a difference in the curve to allow for more movement as well as giving the sleeve some more ease. I also made it a full sleeve, with wide ‘cuffs’, to allow it to be able to be rolled up when doing dirtier works.

With as few seams as this the sewing was fast. Really fast. I decided early that I would fell al the seams as I went to make sure that the job was done and not left undone for eternity, as is the case in some of my other dresses. The reason for this is mainly that the thin twill frays quite easily, so I wanted to protect the raw edges. This I did by felling both seam allowences to one side and covering it with filler thread as I was sewing it down with whip stitches. I am not perfectly sure that the technique with filling threads was used in the period, but it was a step I considered necessary as I didn’t want to add the extra bulk that would come with me folding the seam allowences over.

This time I made sure to not stress. I made sure to enjoy every single stitch in sewing the kirtle. Everytime I stuck that needle into the fabric it would be with a sense of calm and happiness. And so it was. In the first time in many, many years, I was sewing a medieval garment and enjoying the whole process. A huge step forward, in my opinion.

The result? I finished the dress in less than two weeks. Not to a wearable extent, but all finished. I’m very proud of myself! Do you think it will look nice at the pilgrimage?

Recreating History Wishes You a Happy New Year

Gott nytt år, kära läsare!

Happy New Year, dearest readers!

Som ni kanske har märkt så har andra halvan av 2016 varit en väldigt stillsam period för mig. Både här på bloggen och när det kommer till sömnad. Jag har inte gjort eller sytt något under hela hösten utom en maskeraddräkt till Carnis årliga höstmöte. Om jag ska vara ärlig så kan jag berätta att jag inte ens packat upp mina grejer från Battle of Wisby än, och det är snart fem månader sedan… Jag har mått lite sådär under hösten och har inte haft någon energi till att varken sy eller hålla på med något annat hantverk och det har gjort mig ganska ledsen. Det är såklart helt okej att inte vara på topp hela tiden – vi har alla perioder där vi inte mår så bra – men det kändes konstigt att inte ens sy. Men! Nu mår jag mycket bättre och jag ser väldigt mycket fram emot det här året.

As you must have noticed, this second half of 2016 have been a very quiet period for me. Both when it came to blogging, and also when it came to sewing. I havent made anything other than a masquerade outfit for Carnis annual autumn meeting during the whole autumn. To be honest – I still havent unpacked from Battle of Wisby and that’s soon five months ago. I haven’t been feeling all that well this autumn, and I haven’t had any energy for crafting and sewing which have made me very sad. It’s of course perfectly fine to have low periods – we all do have them some times – but it felt strange to not even sew. But now it’s much better and I’m very much looking forward to this coming year!

Me and Cathrin as Disney villains at the Carnis autumn meeting/feast.
Maleficent and the Evil Queen in Snow White. 

Det var egentligen inte förrän jag hälsade på Cathrin/Katafalk  som jag fick någon egentlig inspiration till att göra saker, men å andra sidan hann vi med att göra en väldans massa grejer då. Under den helgen gjorde vi mönster till en 1600-talsjacka var, mönster till en 1600-talslivkjol till mig, färga tyg till jacka och livkjol till oss båda med krapp och valnötsskal, samt göra ett möster på ett empirsnörliv till mig.

It was not until I visited Cathrin/Katafalk that I got some inspiration and during that one weekend we managed to make patterns for a 17th century jacket each, a 17th century kirtle for me, dye fabric for kirtle and jackets to us both with madder and walnut hulls and also make a pattern for a pair of Regency stays for me.

Det innebär att det kommande året kommer innehålla massor av sömnad och annat hantverk. Både 1300-tal (såklart), 1600-tal och förhoppningsvis en uppsättning empirkläder till mig. Jag kommer också avsluta första delen på mina studier genom att ta min kandidatexamen i geologi samt påbörja min master inom samma ämne, samt arrangera ett event tillsammans med Carnis vilket ni antagligen kommer få se mer av under årets gång.

That means that the coming year will contain lots of sewing and other crafting for me. Both 14th century (as always), some 17th century things and hopefully a set of Regency clothing for me. I will also finish the first part of my studies by writing my Bachelor’s thesis and begin the second part by starting my Master in Geology, as well as arrange an event with Carnis which you might see more about during the coming year. 

Och till er, mina läsare, önskar jag er ett år med många roliga stunder, och att de bra saker ni väntar på ska ske. Till mig själv önskar jag ett år med mycket hantverk och sömnad, vilket det också ser ut att bli.

Ha ett fantastiskt år!

And for you, my readers, I wish you a year with a lot of fun moments, and that those good things that you wait for will come to you. For myself I wish that the year will contain a lot of crafting and sewing (which it will by the looks of it). 

Have a fantastic year! 

Me at Battle of Wisby 2016, photo by: Vera Bos